CASTNaga Chaitanya, Samantha, Divyansha, Rao Ramesh, Posani, Subba Raju and others
Director – Shiva Nirvana
Producer – Sahi Garapati, Harish Peddi
Banner – Shine Screens
Music – Gopi Sundar
Majili is a transitioning sentimental dramatization with Chaitanya and Samantha assuming the main jobs. Shiva Nirvana of Ninnu Kori distinction offers one more developed interpretation of affection, grievousness and the life after it.
What is it about?
Poorna (Naga Chaitanya) a wannabe cricketer experiences passionate feelings for Anshu (Divyansha) a North Indian rich young lady. The couple gets isolated and the sorrowful Poorna drives his life like a failure. Sravani (Samantha) who appreciates Poorna weds him regardless of thinking about his unfortunate propensities and grievousness. How Poorna gets over his past affection and acknowledges Sravani as his life accomplice frames rest of the story.
Naga Chaitanya gets a creator supported job and he put forth a valiant effort as Poorna. He is especially noteworthy in the second half where he is experiencing a tragedy. Samantha enters the scene just before the interlude and takes the show with her stupendous execution. Divyansha is okay. Rao Ramesh is great as Chay’s dad and Posani is his typical self as an irritating neighbor. The person who played Chay’s companion is awesome. Subbaraju, Ravi Prakash, Atul Kulakarni and rest of the supporting cast are okay in their individual jobs.
Chief Shiva Nirvana pursues the comparative format of adoration tragedy reclamation that he managed in his presentation film. The chief by and by shows excellent development in taking care of relations and touchy issues. He has completed an astounding activity in getting the passionate substance right.
Music by Gopi Sunder is great. Two or three melodies are snappy. Thaman’s experience score is sublime. Cinematography is not too bad. Dilaogues are excellent in passionate scenes. Creation esteems are great.
Majili is a relatable story with viable discourse. Numerous sweethearts get isolated and shares their lives with another person. Imagine a scenario in which somebody who couldn’t get over his past affection gets hitched to another lady. Majili manages this subject sets aside sufficient effort to feature the past of the hero. First half is a blend of numerous things. It has Poorna’s companions, objectives, goons and a romantic tale. It is all anticipated as the plot was uncovered in the promotions itself.
First half is okay yet moves at a very recreation pace. The sentiment part additionally is common with arbitrary scenes. Things get fascinating with the presentation of Samantha character. There is a pleasant little pinch of appearing past of the hero from her perspective. She appreciates him and cherishes him genuinely, however he couldn’t get over his past. There is a curve tossed in for him to get over everything and understand the adoration for his better half.
In spite of the fact that somewhat realistic, the last demonstration in Majili is alright. The film’s most concerning issue is its moderate pace and it stays to be on the slower side even in the second half. Be that as it may, what works to support its is the first rate feelings and generally excellent exhibitions. The lead pair, yet in addition the supporting star cast carries out their responsibility. Two or three tunes are great, however a superior sound collection would have helped it achieve another dimension.
On an entire, Majili is an average sentimental show that will engage the developed group of onlookers just as the young. The film gets sensational and messy now and again, however keeps its watchers intrigued with some elegantly composed scenes and exchange. It has a lot of weaknesses, yet finishes on an acceptable note with Samantha and Chaitanya pulling it off with their indisputable science.